Upper-voice structures and compositional process in the ars nova motet / Anna Zayaruznaya.
In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices. Tenors are shaped by the interaction of talea and color, medieval terms now used...
Saved in:
| Online Access: |
Full Text (via Taylor & Francis) |
|---|---|
| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
London ; New York :
Routledge,
2018.
|
| Series: | Royal Musical Association monographs ;
no. 32. |
| Subjects: |
Internet
Full Text (via Taylor & Francis)Online
| Call Number: |
ML1402 .Z39 2018eb
|
|---|---|
| ML1402 .Z39 2018eb | Available |