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CoU |
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19960605124230.0 |
| 008 |
940412s1995 enkg b 001 0 eng |
| 010 |
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|a 94011417
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| 019 |
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|a 34116122
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| 020 |
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|a 0521417384
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| 035 |
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|a (OCoLC)ocm30353841
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| 040 |
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|a DLC
|c DLC
|d C#P
|d UKM
|d CSJ
|d COD
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| 049 |
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|a CODW
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| 050 |
0 |
0 |
|a ML410.W19
|b G83 1995
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| 050 |
0 |
0 |
|a ML410.W19
|b G83 1995
|
| 100 |
1 |
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|a Grey, Thomas S.
|0 http://id.loc.gov/authorities/names/n94035805
|1 http://isni.org/isni/0000000081385790.
|
| 245 |
1 |
0 |
|a Wagner's musical prose :
|b texts and contexts /
|c Thomas S. Grey.
|
| 260 |
|
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|a Cambridge ;
|a New York :
|b Cambridge University Press,
|c 1995.
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| 300 |
|
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|a xix, 397 pages :
|b music ;
|c 24 cm.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent.
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia.
|
| 338 |
|
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|a volume
|b nc
|2 rdacarrier.
|
| 490 |
1 |
|
|a New perspectives in music history and criticism.
|
| 504 |
|
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|a Includes bibliographical references (pages 380-390) and index.
|
| 505 |
0 |
0 |
|g 1.
|t Wagner and the problematics of "absolute music" in the nineteenth century:
|t Ideas of absolute music ;
|t Questions of autonomy ;
|t Content and/or/as form ;
|t Absolute music and "ideas: a new determinacy? --
|g 2.
|t Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms:
|t Beethoven's "poetic ideas": notes on the genesis of a critical tradition ;
|t Poetics, heroics, funérailles ;
|t Fear of the Fifth: the uncanniness of instrumental speech ;
|t Beethoven's "sketches" (poetic intentions and musical consequences) --
|g 3.
|t Engendering music drama: Opera and Drama and its metaphors:
|t Metaphors of gender, and others;
|t Natural sciences: reproductive biology and a theory of "evolution";
|t Music mastered, poetic reason (nearly) seduced: allegory and antithesis --
|g 4.
|g The
|t "poetic-musical period" and the "evolution" of Wagnerian form:
|t Periode and Entwicklung ;
|t "Evolving" period-complexes and Wagner's evolution: three dialogues --
|g 5.
|t Endless melodies:
|t Wagner and his critics around 1860 (Wagner's melody--all or none?) ;
|t Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama) ;
|t Melody as form --
|g 6.
|t Motives and motivations: leitmotif and "symphonic" drama:
|t Warum? (motives to musical form) ;
|g The
|t birth of the music drama from the "labor-pains of program music" ;
|t Motif, motive, Motiv: dramatic motivations and "symphonic form" ;
|t Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama" ;
|t Dénouements (motivic threads, dramatic plots, musical knots and resolutions)
|
| 600 |
1 |
0 |
|a Wagner, Richard,
|d 1813-1883
|x Written works.
|0 http://id.loc.gov/authorities/names/sh87006892.
|
| 600 |
1 |
0 |
|a Wagner, Richard,
|d 1813-1883
|x Aesthetics.
|0 http://id.loc.gov/authorities/names/sh85144776.
|
| 600 |
1 |
0 |
|a Wagner, Richard,
|d 1813-1883.
|t Operas.
|0 http://id.loc.gov/authorities/names/n80063203.
|
| 650 |
|
0 |
|a Music
|y 19th century
|x Philosophy and aesthetics.
|0 http://id.loc.gov/authorities/subjects/sh2010102764.
|
| 650 |
|
0 |
|a Musical criticism.
|0 http://id.loc.gov/authorities/subjects/sh85088956.
|
| 650 |
|
0 |
|a Opera.
|0 http://id.loc.gov/authorities/subjects/sh85094900.
|
| 830 |
|
0 |
|a New perspectives in music history and criticism.
|0 http://id.loc.gov/authorities/names/n93107873.
|
| 907 |
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|a .b2564984x
|b 04-26-23
|c 06-06-96
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|b 06-06-96
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|a .b2564984x
|b 10-25-18
|c 06-06-96
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| 944 |
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|a MARS - RDA ENRICHED
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| 907 |
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|a .b2564984x
|b 12-19-08
|c 06-06-96
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| 952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Boulder Campus
|c Music
|d Music Library - Stacks
|e ML410.W19 G83 1995
|h Library of Congress classification
|i book
|m U183017849847
|n 1
|
