The controversy of Renaissance art / Alexander Nagel.
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Chicago ; London :
The University of Chicago Press,
©2011.
|
| Subjects: |
Table of Contents:
- A nontriumphant Renaissance
- The reformation that never happened in Italy
- Pre- and post-Trent
- Range of the study
- Excavations in Christian art
- Effects of estrangement
- "These are your idols, which you have put in my temple"
- Theater and its double
- Aart historians and their precursors
- The time of the other
- Attending effigies interior cult and exterior cult whores and idols
- Erasure, defacement, unmasking
- Reform as art restoration
- Defamiliarized icons
- The "puppet painter" gets a hearing
- Erasmus unmasks the saints
- Excavations of the image
- A picture of indeterminate subject and uncertain finish
- Threshold painting
- Figures in a loose and unready state
- Images from the underside
- Drawing brought to the surface
- Reconfigurations
- Christian art that is no longer
- Related experiments
- Re-mediations of the altarpiece
- The painter's new profession
- Raphael extracts the icon
- Vision as re-mediation
- Structures of archaism christocentrism
- Transmutation chamber
- Christ as idol
- Animated statues
- Sculpture and the pictorial imaginary
- The idol in Saint Augustine's study
- Statue + column = idolatry in the round and from behind
- Showdown in the arena of painting
- Ficino's ambivalent defense of image magic
- The crucifix as anti-statue
- The antique statue of Christ
- "Christ, who deserved a statue, received instead a cross"
- A statue of Christ from the Holy Land
- Replication and retroactivation
- An antique Christ at the Minerva
- Rhetorical interferences
- Form as symbol
- Avatars of the golden calf in the works of Andrea Riccio
- Gregorio Cortese commissions art at Santa Giustina, 1513
- Moses and polytheism
- A Moses-idol
- Repetition compulsion
- Christ as idol
- The work of conversion
- Uncompromising logic
- Fire takes the form of bronze
- Recursions
- Religion on earth
- Soft iconoclasm
- Architecture as image
- Forms of iconophobia in Italy
- A semiotic contest
- Replacement and reversion
- Early interventions at Florence and Siena
- Figuration and fulfillment, and vice versa
- "All the other things are shadows"
- The tabernacle in the matrix
- "So long as it is not about saints"
- Raimondi's I modi in Giberti's Rome
- Pornography as iconoclasm
- Nonprocreative art
- A new model of church art at Verona cathedral
- The virgin becomes architecture
- Borromeo interprets Giberti
- The most abstract altarpiece of the Italian Renaissance
- The Vicenza altar and reform circles in northern Italy
- Adventures in aniconism
- The virtues of stones
- The world is an animal
- Displacement.