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Hegel and the English romantic tradition / Wayne George Deakin, Chiang Mai University, Thailand.

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"In Hegel and the English Romantic Tradition, Wayne Deakin re-examines English Romanticism through the philosophy of G.W.F. Hegel. Outlining and expanding upon Hegel's theory of recognition, Deakin critiques four canonical writers of the English Romantic tradition - Coleridge, Wordsworth,...

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Bibliographic Details
Main Author: Deakin, Wayne George, 1970- (Author)
Format: Book
Language:English
Published: Houndmills, Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan, 2015.
Subjects:
English literature > 18th century > History and criticism.
English literature > 19th century > History and criticism.
Romanticism > England.
Table of Contents:
  • Introduction
  • A Discrimination of criticisms
  • Why "philosophical romanticism"?
  • Romantic Embodiment
  • Chapter Breakdown
  • Hegelian Romanticism And The Symbiotic Alterity Of Autonomy And Receptivity
  • 1.1 Introduction
  • 1.2 Hegel's Concept of Recognition in an Aesthetic Light
  • 1.3 Hegel's Response to Romantic Art
  • 1.4 Hegel and Romantic Metaphysics
  • 1.5 Hegel's Aesthetics in the Modern Context
  • Philosophy, Theology And Intellectual Intuition In Coleridge's Poetics
  • 2.1 Introduction
  • 2.2 Coleridge's Philosophical Dichotomy
  • 2.3 Coleridge's Theological Escape from Aporia
  • 2.4 Symbol and Allegory in Coleridge
  • 2.5 The Deconstruction of Allegory and Symbol in 'Kubla Khan'
  • 2.6 The Antagonists of the Imagination in 'Kubla Khan'
  • 2.7 Coleridge's 'unhappy consciousness' in 'Frost at Midnight'
  • 2.8 The Aporetic Recognition through Joy in 'Dejection'
  • 2.9 Recognitive Breakdown in 'Constancy to an Ideal Object'
  • Wordsworth's Metaphysical Equipoise
  • 3.1 Introduction
  • 3.2 Wordsworth And Romantic Metaphysics
  • 3.3 Wordsworth's Ladder
  • 3.4 Dialectical Criticism Of Wordsworth
  • 3.5 Contingency And Embodiment
  • 3.6 Doubt And Embodiment In 'Lines Written A Few Miles Above Tintern Abbey, On Revisiting The Banks Of The Wye During A Tour, July 13, 1798.'
  • 3.7 'Home' At Grasmere: Embodiment
  • 3.8 The Unifying Nature Of The Wordsworthian Symbol
  • 3.9 Conclusion
  • Dialectical Collapse And Post-Romantic Recognition In Shelley
  • 4.1 Introduction
  • 4.2 Shelley's Quest For The Imagination Upon Mont Blanc
  • 4.3 Visionary Alienation In 'Alastor'
  • 4.4 Eschatological Projection In 'Adonais'
  • 4.5 Wonder, Transfiguration And Irony In 'The Triumph Of Life'
  • The Contingent Limits Of Romantic Myth Making
  • 5.1 Introduction
  • 5.2 The Romantic Discourse Of Wordsworth And Coleridge
  • 5.3 Shelley's Second-Order Discourse
  • 5.4 Embodied Scepticism: Frankenstein
  • 5.5 Conclusion.

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