Ariosto in the Machine Age / Alessandro Giammei.

Ariosto in the Machine Age reveals how the most influential poet of the Renaissance was conjured or appropriated to shape magical realism, avant-garde painting, Fascist cultural propaganda, and cinema in modern Italy between the birth of Futurism and the end of World War II. Based on substantial arc...

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Bibliographic Details
Online Access: Full Text (via De Gruyter)
Main Author: Giammei, Alessandro (Author)
Format: eBook
Language:English
Published: Toronto : University of Toronto Press, [2024]
Series:Toronto Italian Studies
Subjects:

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300 |a 1 online resource (464 p.) :  |b 104 colour illustrations, 31 b&w illustrations. 
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505 0 0 |t Frontmatter --  |t Contents --  |t Illustrations --  |t Preface --  |t Acknowledgments --  |t Introduction. Peeking from Parnassus -- Ariosto the Amphibian --  |t Chapter One. The Great Metaphysician: Ariosto's Encounters with Ferrara's Avant-Garde --  |t Chapter Two. Ludovico's Gifts: The Ariostean Spirit of Magical Realism --  |t Chapter Three. Eternal Renaissance: Ariosto's Presence in Fascist Ferrara --  |t Chapter Four. Theatrical Ghosts: Not Adapting the Orlando Furioso in Late Modernity --  |t Notes --  |t Index 
520 |a Ariosto in the Machine Age reveals how the most influential poet of the Renaissance was conjured or appropriated to shape magical realism, avant-garde painting, Fascist cultural propaganda, and cinema in modern Italy between the birth of Futurism and the end of World War II. Based on substantial archival findings, bold iconographic hypotheses, and novel interpretations of literary texts, the book proposes a new account of Italy's twentieth-century culture through a unique take on Ludovico Ariosto's early modern poetics and legacy. Starting from the unexpected passéism of Futurists visiting Ferrara on the eve of World War I, it re-reads the development of Giorgio de Chirico's Metaphysical Art and Massimo Bontempelli's Realismo Magico. The book reconstructs the multimedia archive of the Fascist initiatives for the centennial anniversary of Ariosto's death in 1933, and then focuses on the passage between Fascist cinema and the birth of Neorealism, unearthing unfinished adaptations of the Orlando Furioso by Luchino Visconti and Alessandro Blasetti. Questioning the very concept of reception, this radically interdisciplinary book warns twenty-first-century readers about the risks of monumentalizing the "great authors" of the past. 
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650 0 |a Art and literature  |z Italy  |x History  |y 20th century. 
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