Art collecting and middle class culture from London to Brighton, 1840-1914 / David Adelman.

"This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period of 1840-1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: Wil...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Main Author: Adelman, David (Author)
Format: eBook
Language:English
Published: New York, NY : Routledge, 2024.
Series:Routledge research in art history
Subjects:

MARC

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245 1 0 |a Art collecting and middle class culture from London to Brighton, 1840-1914 /  |c David Adelman. 
264 1 |a New York, NY :  |b Routledge,  |c 2024. 
264 4 |c ©2024 
300 |a 1 online resource (xiv, 239 pages) :  |b illustrations (chiefly color), map. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Routledge research in art history 
545 0 |a David Adelman is an independent researcher in nineteenth century cultural history. 
504 |a Includes bibliographical references and index. 
505 0 |a 'The Palace of Science, Art and Literature' and the mission to civilize the pelple of Brighton 1850-1914 -- William Coningham : connoisseur, radical polician, a collector of contraductions -- How Henry Hill, bespoke tailor to the rich and self-made man, also became a gentleman of taste -- The reinvention of Henry Willett, a collector of collections and an "imaginary museum" -- The Pre-Raphaelite collection of Harriet and John Trist : a collecting couple in a companionate marriage : Final reflections and a royal parade in 1877. 
520 |a "This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period of 1840-1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815-1884), Henry Hill (1813-1882), Henry Willett (1823-1905) and Harriet Trist (1816-1896) and her husband John Hamilton Trist (1812-1891). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on July 26, 2024). 
650 0 |a Art  |x Collectors and collecting  |z England  |z Brighton  |x History  |y 19th century. 
650 0 |a Art  |x Collectors and collecting  |z England  |z Brighton  |x History  |y 20th century. 
650 0 |a Art and society  |z England  |z Brighton  |x History  |y 19th century. 
650 0 |a Art and society  |z England  |z Brighton  |x History  |y 20th century. 
776 0 8 |i Print version:  |a Adelman, David.  |t Art collecting and middle class culture from London to Brighton 1840-1914  |d New York, NY : Routledge, 2024  |z 9781032538235  |w (DLC) 2024015690 
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