Complete Latin motets. Part 2, Motets for four and eight voices and motets from other sources / Gallus Dressler ; edited by Robert Forgács.
"This complete edition of Gallus Dressler's Latin motets includes a modern transcription of eighty-three of the composer's works. In addition, it features a substantial introduction, based on the most recent research into Dressler's life and music. A detailed critical report show...
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| Other Authors: | , |
|---|---|
| Other title: | Motets. Selections |
| Format: | Musical Score Book |
| Language: | Latin |
| Published: |
Middleton, Wisconsin :
A-R Editions, Inc.,
[2023]
|
| Series: | Recent researches in the music of the Renaissance ;
182. |
| Subjects: |
MARC
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| 100 | 1 | |a Dressler, Gallus, |d 1533- |e composer. | |
| 240 | 1 | 0 | |a Motets. |k Selections |
| 245 | 1 | 0 | |a Complete Latin motets. |n Part 2, |p Motets for four and eight voices and motets from other sources / |c Gallus Dressler ; edited by Robert Forgács. |
| 264 | 1 | |a Middleton, Wisconsin : |b A-R Editions, Inc., |c [2023] | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 score (xvii, 314 pages) ; |c 28 cm | ||
| 336 | |a notated music |b ntm |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 348 | |a score |2 rdafnm | ||
| 348 | |c staff notation |2 rdafmn | ||
| 382 | 0 | 1 | |3 1st work |a mixed chorus |v 8 parts |e 1 |t 1 |2 lcmpt |
| 382 | 0 | 1 | |3 1st work |a singer |n 8 |s 8 |2 lcmpt |
| 382 | 0 | 1 | |3 2nd-39th, 42nd-43rd works |a mixed chorus |v 4 parts |e 1 |t 1 |2 lcmpt |
| 382 | 0 | 1 | |3 2nd-39th, 42nd-43rd |a singer |n 4 |s 4 |2 lcmpt |
| 382 | 0 | 1 | |3 40th-41st work |a mixed chorus |v 5 parts |e 1 |t 1 |2 lcmpt |
| 382 | 0 | 1 | |3 40th-41st work |a singer |n 5 |s 5 |2 lcmpt |
| 490 | 1 | |a Recent researches in the music of the Renaissance, |x 0486-123X ; |v 182 | |
| 546 | |a Latin words, also printed as texts with English translations (pages vii-xvii). | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a 41. Ecce quam bonum : (CCAATTBB) -- 42. Vita quid est hominum : (CATB) -- 43. Sic Deus dilexit mundum : (CATB) -- 44. Nolite quaerere : (CATB) -- 45. Auxilium meum (ATTB) -- 46. Ego sum resurrectio : (CATB) -- 47. Ne existimetis quod venerim : (CATB) -- 48. Lucena pedibus meis : (CATB) -- 49. Cum invitatus fueris : (CATB) -- 50. Domine ad quem ibimus : (CATB) -- 51. Haec est voluntas ejus : (CATB) -- 52. Nisi Dominus : (CATB) -- 53. Ut rosa saepe periot : (CATB) -- 54. Magdalena mei dulcissima nata : (CATB) -- 55. Sis asinus : (CATB) -- 56. Vespera nunc venit : (CATB) -- 57. Mundus amat tenebras : (CATB) -- 58. Misericordiam volo : (CATB) -- 59. Vivo ego : (CATB) -- 60. Qui Domino rerum : (CATB) -- 61. Ego sum ostium : (CATB) -- 62. Sis puer Ascaniae dux : (CATB) -- 63. Quattuor est lepidis : (CATB) -- 64. Tres sunt qui testimonium dant : (CATB) -- 65. Ego sum lux mundi : (CATB) -- 66. Amen, amen dico vobis : (CATB) -- 67. Oves meae vocem meam audiunt : (CATB) -- 68. Si non facio opera patris : (CATB) -- 69. Conjugium tibi sit blandum : (CATB) -- 70. Amen dico vobis : (CATB) -- 71. Deus in adjutorium : (CATB) -- 72. In te projectus sum : (CATB) -- 73. Sic Deus dilexit mundum : (CATB) -- 74. Laetatus sum (TTTB) -- 75. Qui vos audit : (CATB) -- 76. In manus tuas Domine : (CATB) -- 77. Ascania de gente : (CATB) -- 78. O lux beata Trinitas : (CATB) -- 79. Angelus Domini : (CATB) -- 80. Ecce ego vobiscum sum : (CCATB) -- 81. Dominus pastor meus : (CCATB) -- 82. Beatus vir qui non abiit : (CATB) -- 83. Nonne quinque passerculi : (CATB) | |
| 520 | |a "This complete edition of Gallus Dressler's Latin motets includes a modern transcription of eighty-three of the composer's works. In addition, it features a substantial introduction, based on the most recent research into Dressler's life and music. A detailed critical report shows relationship between the three major editions of Dressler's motets, dating from 1574, 1577 and 1585, and their derivation from Dressler's XC Cantiones Quatuor, Quinque et Plurimum Vocum (1570), as well as several other earlier publications and one manuscript source. The presentation of the Latin texts and their translation into English, plus the identification of the varied sources of the texts and their significance, forms a new contribution to research on Dressler that moves well beyond the partial identification of some of the composer's text sources in previous studies of the composer and his works." -- |c Provided by publisher. | ||
| 650 | 0 | |a Motets |v Scores. | |
| 650 | 0 | |a Choruses, Sacred (Mixed voices), Unaccompanied |v Scores. | |
| 650 | 0 | |a Sacred vocal quartets, Unaccompanied |v Scores. | |
| 650 | 0 | |a Sacred vocal quintets, Unaccompanied |v Scores. | |
| 650 | 0 | |a Sacred vocal octets, Unaccompanied |v Scores. | |
| 650 | 0 | |a Motets. | |
| 650 | 0 | |a Choruses, Sacred (Mixed voices), Unaccompanied. | |
| 650 | 0 | |a Sacred vocal quartets, Unaccompanied. | |
| 650 | 6 | |a Motets |v Partitions. | |
| 650 | 6 | |a Chœurs sacrés (Voix mixtes) a cappella |v Partitions. | |
| 650 | 6 | |a Motets. | |
| 650 | 6 | |a Chœurs sacrés (Voix mixtes) a cappella. | |
| 650 | 6 | |a Quatuors sacrés a cappella. | |
| 650 | 6 | |a Quatuors sacrés a cappella |v Partitions. | |
| 650 | 7 | |a Choruses, Sacred (Mixed voices), Unaccompanied |2 fast | |
| 650 | 7 | |a Motets |2 fast | |
| 655 | 7 | |a Motets |2 fast | |
| 655 | 7 | |a Scores |2 fast | |
| 655 | 7 | |a Motets. |2 lcgft | |
| 655 | 7 | |a Sacred music. |2 lcgft | |
| 655 | 7 | |a Chamber music. |2 lcgft | |
| 655 | 7 | |a Scores. |2 lcgft | |
| 655 | 7 | |a Motets. |2 rvmgf | |
| 655 | 7 | |a Partitions (Musique) |2 rvmgf | |
| 655 | 7 | |a Musique sacrée. |2 rvmgf | |
| 655 | 7 | |a Musique de chambre. |2 rvmgf | |
| 700 | 1 | |a Forgács, Robert |c (Lecturer), |e editor. | |
| 830 | 0 | |a Recent researches in the music of the Renaissance ; |v 182. |x 0486-123X | |
| 938 | |a Otto Harrassowitz |b HARR |n har245000573 | ||
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